27 Novembre 2015
Con il Modulo condotto da Marco Ambrosini prende il via l’ EUROPEAN NYCKELHARPA TRAINING 2015/2016
EUROPEAN NYCKELHARPA TRAINING
Corso di formazione per esecutori ed insegnanti di nyckelharpa (viola d’amore a chiavi)
in cooperazione con:
BURG FÜRSTENECK, Eiterfeld (Germania)
http://www.burg-fuersteneck.de/
Eric Sahlström Institutet, Tobo (Svezia), supporting cooperation
http://esitobo.org.loopiadns.com/
ITALIAN DATES 2015-2016
- 27-29 November 2015 (with Marco Ambrosini and Davide Castiglia or/and Gioele Sindona)
- 8-10 January 2016 (with Marco Ambrosini and Davide Castiglia or/and Gioele Sindona)
- 19-21 February 2016 (with Didider François and Davide Castiglia or/and Gioele Sindona)
- 11-13 March 2016 (with Ditte Andersson and Davide Castiglia or/and Gioele Sindona)
- 8-10 April 2016 (with Jule Bauer and Davide Castiglia or/and Gioele Sindona)
- 6-8 May 2016 (with Annette Osann and Davide Castiglia or/and Gioele Sindona)
- 27-29 May 2016 (28 May School concert, probably with Marco Ambrosini and Davide Castiglia or/and Gioele Sindona)
Docenti:
Marco Ambrosini (TUTOR – Capo progetto)
Docenti di supporto (Italia)
Davide Castiglia – Goiele Sindona
Corso di formazione per esecutori ed insegnanti di
nyckelharpa (viola d’amore a chiavi)
Il numero dei partecipanti viene fissato dal Tutor.
Il corso, che è previsto con durata minima di 2 anni, potrà avere inizio alla partenza di ogni anno scolastico.
Al termine del percorso formativo è previsto il rilascio di un certificato riconosciuto dall’ Accademia Burg Fürsteneck (Germania) e dal Reale Istituto E. Salstrøm ESI (Svezia)..
Grazie al reciproco riconoscimento è possibile visitare i corsi sia alla SMP che all’Accademia Burg Fürsteneck.
Elenco delle materie di studio
* Storia e sviluppo dello strumento, in Svezia e nell’Europa continentale
* Elementi di musica antica (medioevale, rinascimentale e barocca)
* Elementi di musica popolare svedese
* Elementi di musica popolare continentale
* Elementi di musica contemporanea e d’avanguardia
* Musica d’insieme
* Metodi di insegnamento e tecniche esecutive
* Manutenzione dello strumento
Con decisione del Consiglio direttivo del 20/01/2012, in accordo con il coordinatore dell’European Nyckelharpa Training, il corso è stato riavviato e sono state fissate le nuove modalità di adesione allo stesso ed ai singoli moduli:
L’aspirante allievo dovrà richiedere l’iscrizione al corso (od al singolo modulo) per e-mail all’indirizzo info@musicapopolare.net , almeno 30 giorno prima dell’avvio del corso stesso (o dei moduli ai quali intende partecipare) allegando:
1 Il proprio Curriculum
2 uno o più mp3 comprovanti il proprio livello di esecutore alla nyckelharpa o ad un altro strumento
L’accettazione della iscrizione sarà subordinata alla valutazione della richiesta e della sussistenza delle condizioni organizzative sufficienti da parte del TUTOR del paese ospitante.
European Nyckelharpa Training
Vocational course for musicians
Nyckelharpa player / teacher
Cooperation:
Akademie Burg Fürsteneck, Eiterfeld (Germany)
Scuola di Musica Popolare di Forlimpopoli (Italy)
Eric Sahlström Institutet, Tobo (Sweden) supporting cooperation
Educational goal and target group of this advanced training
The Nyckelharpa training at BURG FÜRSTENECK (Germany) and
at the Scuola di Musica Popolare di Forlimpopoli (Italy) should
enable the students to play the nyckelharpa on a rather high level
in concerts and / or to teach it competently or play it for their
private use depending on the personal emphasis.
The training is mainly for professional musicians and music
pedagogues with a certain previous knowledge. Dedicated
amateurs with sufficient previous knowledge of music and playing
the nyckelharpa (or starting the nyckelharpa but playing another
instrument on advanced level) can ask for admission.
Extent of the training and organisation
One year of training consists generally of 6/7 seminar blocks of 2,5 days
each. A total cycle of studies usually takes 2 – 3 years of training. One
can only enrol minimum for one year, not for single blocks. Should a
student miss a block, the fee cannot be paid back. The lessons will take
place in a class, individual lessons in presence of the class as well as
discussion and reflection hours.
2
Responsible for the content of the training are Marco Ambrosini, Ditte
Andersson, Didier Francois, Annette Osann and Jule Bauer under the
auspices of Marco Ambrosini. Other teachers might be called in from
time to time.
Contents of the seminar:
Basics
play techniques
– how to hold the instrument and the results of different ways
– technique with the bow
– technique with the left hand
knowledge of the instrument
– elements and versions of the nyckelharpa
– basic repair and maintenance measures
– measures to enhance the sound
history of the nyckelharpa
– in Sweden
– in continental Europe
Work out of a repertoire of musical pieces
elements of early music
– Middle Ages
– Renaissance,
– Baroque
elements of folk
– Swedish traditional nyckelharpa music
– Other folk, especially pieces referring to regional traditional
music from where the participants live and where the
seminars take place
elements of contemporary music
Playing practice
ensemble
soloist playing
performing practice
Elements of education science
methodology and didactics of nyckelharpa lessons
pedagogical issues
development of a teachers personality
Elements of composing and arrangement
write and / or arrange music for nyckelharpa
Each topic has to be covered, but in arrangement with the teachers one
should work out one’s individual main focus and decide on how
intensively you deal with each topic. The topics will be filled in an
attestation form signed by the training leaders.
Extra tasks along with the seminar
The students are required to visit and write reports about 6
lessons or concerts
– Lesson attendance with one or more instrument teachers (not
necessarily nyckelharpa); main focus on observation and
reflexion of methodology and didactics; dealing with the
material from a pedagogical point of view, the instrumental
technique and the students; personal aspects and conclusions.
– Concert attendance; main focus: analysis of location, organizer,
frame conditions, audience, programme, affection, selection of
the pieces, mood, tension, interviews with musicians and/or
organizers, personal aspects and conclusions.
– Total of 6 attendances with reports altogether
(2 concerts + 4 lessons, 3 concerts + 3 lessons or 4 concerts
+ 2 lessons possible)
Written report about an own experience in teaching or own performance.
Dealing with a music piece: content, history, author, variations,
special characteristics, musical analysis, interpretation, existing
recordings, personal reference.
Report diary: In the course of the whole seminar the students
should write a diary about their own personal experiences,
personal progress, pedagogical reflections and dealing with the
material in order to re-enact their learning stages in arrears.
Attestation forms have to be filled in.
An online platform is available. Collaboration in the wiki is
expected.
Individual learning stages
The nyckelharpa seminar requires each participant to practice regularly
between the seminar blocks and to work along with the lessons
contents at home with high activity. This is an important condition to
participate.
Completion
A) Attest
The institutions concerned will attest the participation in the training and
the extra tasks for each student.
B) Certificate
Moreover after successful participation during at least two years, but
normally three years, students with a good personal and professional
qualification can possibly obtain a certificate by academy BURG
FÜRSTENECK and Scuola di Musica Popolare di Forlimpopoli after a
final exam.
According to the individual learning tempo of each student and their
personal previous knowledge, academy BURG FÜRSTENECK, the
Scuola di Musica Popolare di Forlimpopoli and the seminar leaders
will decide whether they can do the exam or whether extra practice
or additional seminar blocks will be necessary. Students do not
automatically have a right to do the exam.
The final exam normally will consist of a written part, a public foreplay
(playing in front of the leaders and maybe an auditorium or a concert),
a demonstration lesson and a final conversation.
The subject of the written part will be decided on together with the
leader of the training. It should be handed in at the latest 30 days
before the date of the exam.
The test itself might causes additional costs which will depend on
the frame conditions of the exam.
BURG FÜRSTENECK
Akademie für berufliche
und musisch-kulturelle Weiterbildung
Am Schlossgarten 3
D-36132 Eiterfeld
Germany
Tel.: +49 (0) 6672 / 9202-0
Fax.: +49 (0) 6672 / 920230
Email: bildung@burg-fuersteneck.de
Homepage: www.burg-fuersteneck.de
Scuola di Musica Popolare di Forlimpopoli
Piazza Fratti, 2
I-47034 Forlimpopoli (FC)
Italy
Tel: +39 3383473990
Email: musicapopolare@alice.it
Homepage: www.musicapopolare.net
Per informazioni scrivere a: marco
Altre info su Marco Ambrosini
Altre info sulla Nyckelharpa:
